The sexy thriller that seduces the audience with every note.
Carmen can have any man she wants, and discards them as easily as she does the cigarettes she makes. When she seduces the proud young soldier Don José, only to cast him aside for the handsome bullfighter, jealousy ignites. José is pushed to the brink. Carmen’s tragic fate has been sealed.
Considered the most popular opera of all time, Carmen is brimming with very recognizable music including Carmen’s smoky Habanera, Don José’s Flower Song, and the rousing Toreador Song.
Saturday, March 28
Tuesday, March 31
Friday, April 3
Henri Meilhac and Ludovic Halévy
Sung in French with French dialogue; projected English translations.
(Based on the story of the same name by French novelist Prosper Mérimée.)
The story of the beautiful and independent Carmen and the Spanish cavalry officer Don José is translated into a modern-day story about a parachute factory worker and a pilot, and set in America in the mid 20th Century. Groundbreaking at its release for its use of an all-black cast, this 1954 operatic film stars DorothyFind out more »
In the opera, Carmen reads cards and sees portents of her own death. Tarot cards are widely known to be used in fortune telling, but the Tarot can also be applied in everyday life. Francesca Cesari of Sacred Glow explores how the cards can be used to deepen your understanding of your own journey. RefreshmentsFind out more »
Carmen: Lecture & Discussion in French Wednesday, March 11 | 7:00 pm University of St. Boniface, Salon Sportex 200 Cathedrale Ave. Far From the Frigid North: When Nietzsche Met Carmen Explore Bizet’s work through the lens of Nietzschean philosophy Presented by Antoine Cantin-Brault, PhD German philosopher Friedrich Nietzsche (1844-1900) was a devoted Wagnerite asFind out more »
This presentation will examine Carmen as representative of broader trends in Nineteenth-Century music and culture. Dr. James Maiello, Associate Professor of Musicology, Desautels Faculty of Music, University of Manitoba will address musical and dramatic conventions in Nineteenth-Century opera, as well as issues of exoticism and gender as they relate to the work and its reception.Find out more »
Join Professor Arthur Schafer for a conversation about performing “classic” operas and plays such as Carmen and The Merchant of Venice in a 21st century world with very different attitudes towards sexism and racism. Arthur Schafer is Professor of Philosophy at the University of Manitoba and Founding Director of the University’s Centre for Professional andFind out more »
Music expert Don Anderson will give an hour-long presentation focusing on the composer and synopsis, with DVD excerpts. There is no charge for this event, and tickets will not be printed. Registered patrons will be on an attendance list. Please do not select "Mail Me My Tickets". To register: Online: Click here to register online.Find out more »