2025/26 Season AGM Highlights Larry Desrochers’ 26-Year Legacy, Appointment Of New Artistic Director & Record-Breaking Ticket Sales
Manitoba Opera (MO) announced this evening at its 2025/26 Annual General Meeting (AGM), held at the Centennial Concert Hall in Winnipeg, that the year ending May 31, 2026, was historic on several fronts. These include the 26-year end of Larry Desrochers’ tenure with the company; longtime employee, Michael Blais’, first year as executive director; the appointment of Manitoba-born conductor, pianist, and educator Gordon Gerrard as artistic director; and the highest season box office revenue in company history.
“The 2025/26 season has indeed been a milestone year for the company,” said Executive Director Michael Blais. “It marked the end of Larry Desrochers’ unprecedented tenure with the company and our transition to a new leadership model in which I serve as executive director and Maestro Gerrard will lead the company’s artistic vision.”
Serving 25 years as general director & CEO and one year as interim artistic director, Desrocher’s leadership was critical in shaping Manitoba Opera into the company it is today.
“Larry’s vision, commitment, and passion for the art form have left a lasting impact on our organization, our audiences, and our community. It’s now up to us to build on that momentum. I am so pleased that Gordon Gerrard, a talented and respected conductor, artist, and educator has joined our team and will play a vital role in shaping the company’s future,” Blais continued.
GUIDING NEW CHAPTERS: HARRIS LEADERSHIP STRATEGIES
Manitoba Opera extends its sincere gratitude to Harris Leadership Strategies for its generous support as our Leadership Transition Sponsor. Every great story includes moments of change and renewal, and Harris Leadership Strategies has played an instrumental role in helping Manitoba Opera navigate an important chapter in our company’s history.
Through its expertise in executive search and leadership development, Harris Leadership Strategies provided invaluable guidance during the search for Manitoba Opera’s artistic director. Their thoughtful approach, professionalism, and commitment to finding the right leader helped support a successful search process that culminated in the recent appointment of Gordon Gerrard.
Harris Leadership Strategies is passionate about helping organizations identify and cultivate exceptional leadership. Its partnership with Manitoba Opera reflects a commitment to strengthening organizations that contribute to the vitality of our community and ensuring they are positioned for long-term success.
Thank you, Harris Leadership Strategies, for helping Manitoba Opera embrace our next chapter with confidence and for supporting the leadership that will guide the company into the future.
BMO: GROWING STRONGER COMMUNITIES THROUGH THE ARTS
Manitoba Opera extends its sincere gratitude to BMO for its generous support as our Season Presenting Sponsor. Like opera, strong communities are built through connection, shared experiences, and investments that enrich the lives of those around us. BMO’s support helps bring extraordinary stories to the stage while creating opportunities for audiences to gather, reflect, and be inspired.
BMO is committed to growing strong communities through by investing in organizations that contribute to the cultural life of our province, BMO helps strengthen the social and economic vitality of Winnipeg and Manitoba. Its support of Manitoba Opera reflects a belief that arts and culture play an important role in fostering vibrant, engaged communities where people can connect and thrive.
As a leader in its industry, BMO is dedicated to advancing the well-being of its clients and communities while helping build a more sustainable and prosperous future. Through its partnership with Manitoba Opera, BMO demonstrates its commitment to creating lasting impact and ensuring that arts and culture continue to flourish in our community.
Thank you, BMO, for helping Manitoba Opera inspire, connect, and bring powerful stories to the lives of Manitobans.
It is with great sadness that we are sharing that longtime volunteer and opera lover, Hedie Epp, passed away peacefully on June 16.
Photo: G. Ouskun
Hedie Epp with Nadine Hink (former Development Assistant) at the I ❤︎ MO table in the lobby of The Elixir of Love, 2024.
She will be very deeply missed by her Manitoba Opera family and the many organizations for which she volunteered for decades. The Winnipeg Symphony Orchestra, Manitoba Chamber Orchestra, Royal Manitoba Theatre Centre, Winnipeg Singers, Compassionate Friends Winnipeg, and Right to Learn Afghanistan are just a few of the organizations lucky enough to have had Hedie volunteer for them.
“Hedie was one of those remarkable people whose presence became synonymous with opera in Winnipeg,” said MO Executive Director Michael Blais. “Her genuine love of the art form was infectious, and I always enjoyed hearing her stories about her earliest experiences with opera. The news of her passing has come as a profound shock to all of us at Manitoba Opera, and we are deeply saddened by this loss.
Hedie devoted countless hours to the company and was an integral part of the Manitoba Opera team. She will be remembered with great affection and gratitude, and her contributions to Manitoba Opera will continue to be felt for many years to come.”
Hedie grew up in Springstein, a farming community just outside of Headingley. She trained as a nurse and started her career in post-surgery at Misericordia Hospital. She retired as a supervisor at Seven Oaks Hospital. Hedie then worked for 15 years for the Office of the Chief Medical Examiner, retiring permanently in 2010.
A lifelong music lover, Hedie particularly loved volunteering for music-related arts organizations. Her love of opera was ignited in Vienna when she was hitchhiking through Europe after finishing her nurse’s training. She saw a performance of Beethoven’s Fidelio, and she was hooked.
“I met Hedie in a beer tent at the Edmonton Fringe Festival in 1987, as I was there doing research for Winnipeg’s festival which was planned for the following year,” recalls Larry Desrochers, former general director & CEO for Manitoba Opera. “She and I were having a bit of a debate with Peter Gzowsky, former CBC Radio host, who insisted the Fringe would never work in Winnipeg – it was an Edmonton thing. We all know how wrong he was. So outside of RMTC, Hedie was probably the first Winnipegger to know of plans to launch the Winnipeg Fringe. She was one of the first to volunteer for it and loved the festival.
Years later, our paths crossed again when I joined Manitoba Opera and discovered that Hedie was volunteering here as well. She was endlessly curious, wonderfully engaging, and a passionate supporter of the arts. More than that, she was a lovely friend. We will all miss her dearly.”
Get to know Artistic Director Gordon Gerrard! Gordon’s appointment was announced last week, and he officially begins September 1. In the meantime, Gordon has shared a little something about himself in our Icebreaker Questionnaire.
How do prepare for conducting an opera you haven’t performed before?
Study, study, study. Getting an entire opera into your head is a big undertaking. I usually like to start with the source material first. If it’s based on a book or a play, for example, I’ll try to track down a copy. Then, if it’s not in English, I need to make sure I know what all the words mean. Then I sit at the piano for many, many hours. Once I kind of have the lay of the land, then I’ll listen to a few recordings, if there are any. It’s a gift to hear how some of the great interpreters of the past approached these works. The preparation is never really finished. You just keep working until you run out of time. I love it!
Outside of opera and classical music, who is your favourite musical artist and why?
I go through phases with all sorts of artists, but one of the ones that I always come back to is k.d. lang. I can’t even begin to imagine how many times I’ve listened to Hymns of the 49th Parallel. Her voice just speaks to me. And I think she’s one of the coolest Canadians around.
What are some symphonic works and operas on your conducting bucket list?
I’d sure love to conduct some Wagner. I’ve always been fascinated with the Ring Cycle. Maybe I’ll get the chance someday. On the symphonic side, I’ve conducted two out of three of Stravinsky’s big ballets: The Firebird and Petrushka. I haven’t gotten to The Rite of Spring yet. I hope I will someday.
What’s your favourite comfort food?
During the pandemic, I had a lot of time on my hands (didn’t we all?…), so I decided to learn to cook better. I was living in Toronto at the time, but I was lucky enough to have a friend who was an authentic Italian also living nearby. He taught me how to actually make all the authentic Italian pastas. So now, it’s my absolute go-to comfort food. Whenever I have time on a Sunday, I’ll make a real Tuscan ragù with fresh tagliatelle.
What is your preferred post-show “cocktail”?
Nothing beats a dry gin martini with a twist.
Are you an early bird or a night owl?
I am definitely an early bird. Ever since I was a kid, I was an early riser. In fact, when I was in high school, I used to practice the piano before the school bus came in the morning. So I’d set my alarm for 6am and start playing. This was not always popular with my siblings… And it seems the older I get, the earlier I get up. This could become a problem.
If you weren’t a conductor and musician, what career might you have pursued?
An architect. I never really looked into the actual requirements of this, and from talking to friends who actually went through it all, surviving a degree in architecture seems about as torturous as getting a music degree. But I love the combination of math and art in it all, just like music.
What types of books do you enjoy?
I’m a fiction person. There are so many great authors out there these days, and I feel like I never have enough time to read them all. I have so many books on my shelves that I still haven’t read, and I’ve shipped them across the country more times than I can count because I can’t stand to part with any of them. I’ve just started the new Douglas Stuart novel called John of John, about a young gay man who returns to the home where he grew up in rural Scotland. Love it.
Do you like to binge-watch a TV show/series?
I have absolutely no self-control when it comes to binge-watching. In fact, I have had to self-regulate a bit when it comes to this. I know that if I start a series, I will absolutely stay up till 3:00 in the morning for just one more episode. And then I’ll be destroyed for a week. So I can only start a new show when the calendar is fairly light. I’ll have to catch up with everyone on Heated Rivalry this summer.
What is your favourite holiday?
I’m a big sucker for Christmas. I have so many great memories of Christmas as a kid and every year I put up a tree, even if my travel schedule sometimes doesn’t really allow me to see it very much. And of course, Christmas back in Manitoba will be even better this year because it’s better with snow. I can almost embrace winter—but only until December 26th.
With which composer would you like to have dinner?
Probably Brahms. Ever since I started to play the piano well enough to explore serious classical repertoire, Brahms’ music has always captivated me. The way he captures darkness and light at the same time in all of his music is amazing. At our dinner, I want to ask him why he never wrote an opera. No one is perfect, I guess.
MANITOBA OPERA ANNOUNCES APPOINTMENT OF GORDON GERRARD AS ARTISTIC DIRECTOR
Manitoba Opera today announced that Gordon Gerrard, a Manitoba-born conductor, pianist, and educator, has been selected as the company’s artistic director. Gerrard brings a wealth of artistic and administrative experience to the role and is well known as a proponent of innovative and inclusionary programming that explores social change and community engagement. Gerrard begins his five-year contract with the company Tuesday, September 1.
“We are so pleased to welcome Gordon Gerrard to the Manitoba Opera team as artistic director. Gordon is a highly respected conductor, artistic leader, and musician, who many in our community already know through his work across the country,” commented Board of Trustees Chair, Lori Yorke.
“Manitoba Opera audiences are sure to remember Gordon from his impressive company debut conducting The Marriage of Figaro in April. This is a historic moment for Manitoba Opera as we look ahead to new artistic possibilities and ways that we can continue to deepen our engagement with our community, and Gordon will play a vital role in the shaping of all of this.”
The artistic director (AD) will be responsible for establishing an inspiring, aspirational artistic vision that reflects Manitoba Opera’s heritage and future ambitions. The AD will guide all programming choices, operational artistic priorities, and community interaction with this vision.
Also included in the AD responsibilities: developing and implementing a financially sustainable multi-year repertoire strategy that blends traditional and contemporary works that engage and challenge diverse audiences, from longtime enthusiasts to newcomers; hiring artists; curating productions, community engagement, and education programs that align with MO’s values, considering diversity, equity and inclusion, and Indigenous reconciliation; and mentor emerging and established artists.
The artistic director will work closely with all factions of the company: production and artistic team, marketing, public relations, and publicity, development and fundraising, education, and community engagement.
“A proud Manitoban, Gordon has built a distinguished career working with leading orchestras and opera companies across the country,” commented Executive Director Michael Blais. “He is widely recognized for his artistic excellence and collaborative leadership. We are thrilled to welcome Gordon into this leadership role, and the entire team is looking forward to working with him as we continue to build on Manitoba Opera’s strong foundation and exciting future.”
Growing up on a farm just outside of Brandon, Manitoba, Gordon Gerrard grew up with music in the house. He started piano lessons at the age of seven and left the farm at 17 for his undergrad at the University of Manitoba. He completed his master’s degree at the Manhattan School of Music (New York). Gerrard believes music serves as a kind of animating life force and appreciates its potential to change people.
Besides his extensive guest engagements with orchestras for both symphonic concerts and opera repertoire, Gerrard just completed a decade-long tenure as the music director for the Regina Symphony Orchestra (which resulted in him being honoured with an appointment as Conductor Emeritus). Since 2023, he has served as the artistic director for City Opera Vancouver, a professional chamber opera company. He will continue in this position in tandem with his role with Manitoba Opera. (See full bio for more information.)
“Coming home to join Manitoba Opera is a true full-circle moment. This is the company where I saw my first opera in the 1990s, and it’s where my fascination with this art form truly began,” explains Gerrard.
“Manitoba Opera has long been a vital leader in Winnipeg’s rich and vibrant arts scene, earning a formidable reputation across the country not only for the exceptional work on its stage, but for its deeply impactful education and community engagement initiatives. It’s a great privilege to work alongside the team and its many partners, including the wonderful musicians of the Winnipeg Symphony Orchestra. I’m excited to help shape the future of the arts in Manitoba.”
Manitoba Opera embarked on a year-long search to fill this newly created position following General Director & CEO Larry Desrochers’ decision to not seek a renewal of his contract which expired in May 2026. Desrochers held the position of general director & CEO for over 25 years. Following a leadership transition review, the company created two roles: executive director and artistic director. Michael Blais, who was the company’s director of operations and joined the company in 2010, was promoted to executive director last August.
The search was led by Harris Leadership Strategies, an executive search, leadership coaching, strategic planning, and career transition services company based in Winnipeg.
Tracy Dahl (center) in Manitoba Opera’s Così fan tutte, 2023. Photo: R. Tinker
Internationally renowned coloratura soprano Tracy Dahl, C.M., is one of 12 Manitobans who will be receiving an Order of Manitoba on July 16.
The Order of Manitoba is the province’s highest honour and recognizes Manitobans who have demonstrated excellence and achievements that enrich the social, cultural, or economic well-being of the province and its residents. It was established in 1999.
“The 12 exceptional Manitobans being inducted into the Order of Manitoba this year epitomize what makes Manitoba so special,” said Lieutenant Governor Anita Neville, chancellor of the order, who will preside over the ceremony which will take place at the Legislative Building. “From world-class athletes and gifted musicians to compassionate community leaders and brilliant medical and scientific minds, their diverse achievements reflect the extraordinary breadth of talent, dedication and service across our province.”
Tracy Dahl has established a career as one of Canada’s most renowned international operatic artists, having performed with every major Canadian orchestra and opera company, and appearing all over the world. She is also a sought-after vocal teacher, nurturing future generations of artists across the country.
In the early 1980s, Tracy was a cast member in Manitoba Opera’s Opera in the Schools program. She made her mainstage debut with the company as Barbarina in the 1982 production of TheMarriage of Figaro and has been in 14 productions since. Her most recent appearance was as Despina in the 2024 production of Così fan tutte.
Tracy’s fellow honourees are Andrew Harris, Chantal Kreviazuk, C.M., Jocelyne Larocque, Dr. Peter MacDonald, Ash Modha, Brian Pallister, Dr. Joss Reimer, Diane Roussin, M.S.M., Elder Bille Schibler, Dr. Lotfollah Shafai, O.C., and Douglas Stephen.
Larry Desrochers Wins 2026 Manitoba Arts Award of Distinction
MANITOBA ARTS COUNCIL MEDIA RELEASE:
Winnipeg, MB – The Manitoba Arts Council is pleased to announce that Larry Desrochers is the winner of the 2026 Manitoba Arts Award of Distinction. This $30,000 prize is awarded annually to a professional artist or arts/cultural professional in recognition of the highest level of artistic excellence and contribution to the development of the arts in Manitoba.
Beyond his impressive 25-year tenure as general director & CEO of Manitoba Opera, Larry has also worked as a producer and administrator in theatre, festivals, film, and large-scale cultural events, often at the forefront of significant change in Canada’s arts and culture sector.
Larry was the inaugural executive director of the Winnipeg Fringe Festival, which has become the second largest of its kind in North America. He was a founding board member of Manitobans for the Arts, an organization that advocates for arts, culture, and heritage in Manitoba. Larry also produced and directed the 1999 Pan American Games Opening and Closing Ceremonies, the largest live-broadcast outdoor stadium event in Canadian history at the time.
His accolades include receiving the University of Winnipeg’s Distinguished Alumni Award, the Winnipeg Arts Council’s Making a Difference Award, the Winnipeg Film Group’s Lifetime Honorary Membership, Opera America’s Distinguished Service Award, and the Opera Canada Ruby Award.
“Thank you to the Manitoba Arts Council for this honour. It is a privilege to be included among past recipients who have contributed so significantly to Manitoba’s cultural life. Throughout my career, I have had the opportunity to work alongside many talented artists, staff, volunteers, crew, board members, and supporters, and I accept this award in recognition of collaborative spirit and bold creativity of Manitoba’s arts community,” said Larry Desrochers.
“Larry has shown, time and again, that the arts can bring people together, spark dialogue, celebrate heritage, and create empathy; and that leadership rooted in integrity and compassion can have a transformative effect far beyond any one organization,” said Robert Vineberg, Larry’s nominator.
“Congratulations to Larry Desrochers, as this year’s recipient of the Manitoba Arts Award of Distinction,” said Manitoba’s Sport, Culture, Heritage and Tourism Minister Nellie Kennedy.
“Larry’s work in arts leadership has been integral in shaping the landscape of arts and culture in Manitoba, and his legacy will have a lasting impact on the people of Manitoba.”
“MAC is so pleased to honour Larry Desrochers with the 2026 Manitoba Arts Award of Distinction,” said Katarina Kupca, Chair of the Manitoba Arts Council. “Over the course of his career, Larry has defined what it means to be an arts leader in its truest form. He has demonstrated innovation, responsibility, advocacy, and most importantly, a philosophy of putting Manitoba artists first.”
The nominations for this award were reviewed by a multidisciplinary panel of peers who make their decision based on the artistic excellence of the candidate’s work and their contribution to the development of the arts in Manitoba. Previous Award of Distinction recipients include Ken Gregory (2025), Jennine Krauchi (2024), Di Brandt (2023), Daina Warren (2022), and Alan Greyeyes (2020).
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The Manitoba Arts Council is an arm’s-length agency of the Province of Manitoba, established in 1965 “to promote the study, enjoyment, production and performance of works in the arts.” MAC makes awards to professional arts organizations and individuals in all art forms including theatre, literature, dance, music, painting, sculpture, architecture or the graphic arts, and includes other similar creative or interpretative activity, including arts education.
For more information, please contact:
Elyse Saurette, Communications Coordinator
Manitoba Arts Council
esaurette@artscouncil.mb.ca
(204) 945-0646
MOZART’S MASTERPIECE, THE MARRIAGE OF FIGARO, CLOSES 2025/26 SEASON – April 18, 22, 24
Mozart’s comic masterpiece The Marriage of Figaro (Le nozze di Figaro) will close Manitoba Opera’s 2025/26 season with three performances April 18, 22, and 24 at the Centennial Concert Hall. Limited tickets remain for this iconic opera that takes place over one crazy day – the wedding day of Susanna and Figaro. For tickets, go to mbopera.ca/204-944-8824.
Mozart’s great ensemble comedy features a colourful cast of characters and a whirlwind of tricks, disguises, and mistaken identities. It is set to some of the most exquisite music ever composed. The witty and intricate plot of Mozart’s beloved opera takes place over the course of one day as Susanna and Figaro, servants to the Count and Countess Almaviva, attempt to keep their wedding day from being sidelined.
From the famous overture to the finale and the Count’s lesson in marital fidelity, this social commentary on class and love unfolds with brilliant music, memorable melodies, and heart-breaking tenderness as the characters ponder young love, lost love, and forgiveness.
Manitoba Opera extends its sincere appreciation to Catherine Ayotte of Ayotte Wealth Management at National Bank Financialfor its generous support and continued commitment to the performing arts in our community.
Partnerships like this play a vital role in sustaining the artistic excellence and cultural vitality that define Manitoba Opera. Together with our partners, we are able to bring exceptional operatic performances to audiences across the province while nurturing creativity, storytelling, and shared cultural experiences.
We are proud to work alongside partners who recognize the importance of investing in the arts and the impact it has on enriching our community. Catherine Ayotte’s support helps ensure that opera remains accessible, inspiring, and vibrant for current and future generations.
Thank you, Catherine Ayotte, for helping Manitoba Opera continue its mission of presenting outstanding opera and fostering a thriving cultural landscape in Manitoba.
MANITOBA LIQUOR & LOTTERIES: ENRICHING OUR COMMUNITY
Manitoba Liquor & Lotteries has been a supporter of Manitoba Opera since 2009. Through their commitment to community investment, Manitoba Liquor & Lotteries has helped make it possible for Manitoba Opera to bring world-class productions to the stage right here in our province. Their support has played an important role in ensuring that opera remains vibrant, accessible, and inspiring for audiences of all ages.
From breathtaking mainstage performances to community engagement and educational initiatives, their partnership has helped us expand the reach of opera and deepen its impact. Together, we have welcomed thousands of patrons into the theatre, created opportunities for artists, and introduced new generations to the magic of live performance.
Support from organizations like Manitoba Liquor & Lotteries strengthens Manitoba’s cultural landscape and reminds us that the arts are an essential part of a thriving community. Their investment reflects a shared belief that creativity, storytelling, and artistic excellence deserve to be celebrated and supported.
Thank you to Manitoba Liquor & Lotteries for standing with us and championing the arts in Manitoba. Your partnership has made a meaningful difference, and we are deeply grateful for your ongoing commitment.
Manitoba Opera to present a Reimagined Masterpiece & An Enduring Favourite In the 2026/27 Season
Manitoba Opera announced programming for the 2026/27 season (its 54th) today at a launch event at the Centennial Concert Hall in Winnipeg. The Western Canadian premiere of Volcano Theatre’s production of Scott Joplin’s Treemonisha (pronounced TREE-muh-NEESH-uh): A Musical Reimagining will open the season with three performances November 21, 25, and 27. One of opera’s most powerful and unforgettable stories, Puccini’s Madama Butterfly, will close the season April 17, 21, and 23. All performances will take place at the Centennial Concert Hall.
Scott Joplin’s Treemonisha: A Musical Reimagining received its world premiere in 2023 in Toronto as part of the city’s Luminato Festival, co-presented with TO Live. It opened to ecstatic roars, cheering, and rave reviews. The Toronto Star wrote: “Joplin’s long-forgotten masterpiece has been ravishingly reborn for the 21st century in a triumphant production.”
Legendary ragtime composer Scott Joplin’s Treemonisha was published in 1911. This opera about a young woman was unlike anything that had come before. It fused Western classical music with popular Black music from the era: blues, barbershop (before it was called that), gospel, and ragtime. Both musically and narratively, it was revolutionary. However, no backer would touch it, and it was not produced in Joplin’s lifetime.
This new Treemonisha was built over seven years of dedicated work with an international team of leading Black women artists who reimagined the piece. While preserving its setting and characters, they crafted a new story and a richly hybrid orchestration that expands on Joplin’s original music fusion.
“As I prepared to conclude my time with Manitoba Opera after 25 years, I wanted this final season to reflect both where we’ve been as well as possibilities for the future,” said Interim Artistic Director, Larry Desrochers. “Treemonisha: A Musical Reimagining represents bold, necessary storytelling and a thrilling expansion of the operatic canon, while Madama Butterfly reminds us of the enduring emotional power that first draws audiences to this art form. Together, they capture the spirit of a company that honours tradition while embracing change.”
Manitoba Opera is located upon, and operates within, Treaty #1 territory, the Anishinaabeg, Cree, Anisininew, Dakota, and Dene peoples’ traditional lands and waters and the Red River Métis Nation homelands.
As water nourishes the land and all it gives us, we also acknowledge that the source of the City of Winnipeg’s water is from Shoal Lake, the home and shared territory of Iskatewizaagegan No. 39 Independent Nation and Shoal Lake 40 First Nation.
In view of such understandings and acknowledgments, Manitoba Opera remains committed to working in partnership with the Indigenous peoples in the spirit of truth, reconciliation, and collaboration.
Room 1060, 555 Main Street, Wpg. R3B 1C3
(Lower Level, Centennial Concert Hall)
P 204-944-8824 | F 204-949-0377 mbopera@manitobaopera.mb.ca
Season Creative Design:
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